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He is beady eyes, a self-regarding grin, and the inability to make even the slightest physical or verbal gesture without sweeping grandiosity. This is especially the case with shapeshifting Maui, whose giant frame is exaggerated in all the right ways to define this scummy antihero before he even says a word. Moana succeeds on all three counts: there is nothing not to love about its epic pretensions, about its naked emotionality, or about its bigger-than-life characters-from the basics of their personalities right down to the smallest details of their design. And when it comes to Disney, "function" is almost entirely synonymous with story, with character, with feeling.
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I ask whether form matches function flawlessly, too.
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Personally, I tend to care not just whether its form is flawless-that almost goes without saying these days. Now, there are certainly other criteria to call a Disney film a "masterpiece" than the ones I typically use. Only Disney's second of the 21st century, after Tangled only their fifth, by my count, in their seventy-nine year history.
CAN A DEMIGOD BEAT A DECAPOD MOVIE
Not coincidentally at all, it's the best movie to bear the Disney brand since then, too. Thus the quest is laid before this mismatched pair: to fight their way throughĪn impressive gauntlet of gods, monsters, and mutual animosities, and if they survive, they can save the world.
CAN A DEMIGOD BEAT A DECAPOD FREE
Moana's desire to be free upon the waves naturally takes on a terrible new urgency now, and it is up to her to voyage across the waters, and enlist Maui's reluctant aid. To Moana's surprise, this was no infant dream-she is, literally, the Chosen One-and her grandmother has kept the heart safe all these years.
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And, finally, she knows one more thing-that when Moana was young, frolicking upon the shore, the living ocean selected her as its champion, delivering the toddler the heart, so that she could return it. For she knows of the great oceangoing ships that brought Moana's people to their island she knows, also, where the dead chiefs hid them. Tala's other well-kept secrets, however, remain sufficient to give humanity one last chance. Now, as Moana's island begins to wither and die, it seems our time is up. Ever since, we've been living upon borrowed time. To make matters worse for everyone, when the goddess' power to create life was stolen, so was her power to maintain it. In the resulting battle, Maui lost his magical fishhook, his mighty powers, and his prize. And that is how the colossal magma monster Te Ka came to ambush Maui on his return voyage. Daring to tear the goddess' mystical gem-like heart from her living chest, what he didn't count on was that other beings would desire her awesome power, too. Above all, she alone knows that the horrifying bedtime story she tells the isle's children is neither fable nor fantasy, but the real, apocalyptic deal: eons ago, after the goddess Te Fiti created the islands and the people upon them, she was attacked by the people's self-declared champion, a tricksy, shapeshifting demigod named Maui. Naturally, she chafes against her father's irrational policy of isolationism and it seems that only her grandmother, Tala, really understands her.īut then, Tala is the only one who knows the secrets of the world. It concerns the yearning of one Moana, the daughter and heir of a Polynesian chief, who, in fact, wants nothing more than to become an explorer upon the Pacific blue. Moana, Disney's 56th animated feature film, tells a story as old as time-or at least as old as 1989.